<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss'><id>tag:blogger.com,1999:blog-2713483661916314524</id><updated>2009-11-04T02:38:38.853-08:00</updated><title type='text'>Nómadas del S. XXI</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://nomadasxxi.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2713483661916314524/posts/default'/><link rel='alternate' type='text/html' href='http://nomadasxxi.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>nómadasxxi</name><uri>http://www.blogger.com/profile/00012100381280229982</uri><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>3</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2713483661916314524.post-5638180585044809358</id><published>2008-03-14T22:22:00.000-07:00</published><updated>2008-12-08T19:31:38.855-08:00</updated><title type='text'></title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_mmMKk9E8FJg/R9tdh66EQFI/AAAAAAAAAIQ/efUpZg3nF9o/s1600-h/n%C3%B3madas+logo+negro+baix.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5177835033922388050" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_mmMKk9E8FJg/R9tdh66EQFI/AAAAAAAAAIQ/efUpZg3nF9o/s320/n%C3%B3madas+logo+negro+baix.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2713483661916314524-5638180585044809358?l=nomadasxxi.blogspot.com'/&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://nomadasxxi.blogspot.com/feeds/5638180585044809358/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=2713483661916314524&amp;postID=5638180585044809358' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2713483661916314524/posts/default/5638180585044809358'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2713483661916314524/posts/default/5638180585044809358'/><link rel='alternate' type='text/html' href='http://nomadasxxi.blogspot.com/2008/03/blog-post.html' title=''/><author><name>Plataforma Cultural AMA</name><uri>http://www.blogger.com/profile/08551444962305708692</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='03300321898249380342'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_mmMKk9E8FJg/R9tdh66EQFI/AAAAAAAAAIQ/efUpZg3nF9o/s72-c/n%C3%B3madas+logo+negro+baix.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2713483661916314524.post-5778891785026846021</id><published>2008-03-14T04:33:00.000-07:00</published><updated>2008-04-07T13:48:27.137-07:00</updated><title type='text'>Nómadas del S. XXI</title><content type='html'>Muestra colectiva de postales nómadas&lt;br /&gt;&lt;br /&gt;Una colección de 10 postales nómadas, diseñadas por 10 artistas de diversas disciplinas y distribuidas por diversos lugares de Barcelona y del mundo, reflexionan acerca de las nuevas sociedades de la diáspora, en las que los cambios de contexto y la hibridación social generan nuevos modelos de individuo, planteando retos sobre la gestión y asimilación de la diferencia.&lt;br /&gt;&lt;br /&gt;Participan: Natalia Angel, Victor Castillo, Delphine Delas, Benedicte Desrus, Thomas Engelbert, Idealword.org, Nihal Mumcu, Xavi Muñoz, Toni Tenak, Tom14 + Zosen&lt;br /&gt;&lt;br /&gt;Presentación&lt;br /&gt;Viernes 11 de abril&lt;br /&gt;19:00h&lt;br /&gt;entrada libre&lt;br /&gt;&lt;br /&gt;Proyección de "Recuerdos de un lugar al que nunca fuímos"&lt;br /&gt;videocreación de Los Martínez&lt;br /&gt;&lt;br /&gt;Convent de St. Agustí&lt;br /&gt;C/ Comerç 36&lt;br /&gt;El Borne&lt;br /&gt;08003&lt;br /&gt;Barcelona&lt;br /&gt;t. 93 3103732&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;CRÉDITOS&lt;br /&gt;Un proyecto de la Plataforma Cultural AMA(arte-movimiento-acción)&lt;br /&gt;Coordinado por Dibina (digital büro of international art)&lt;br /&gt;Producido por Malinche&lt;br /&gt;Con el apoyo de Secretaría per a la Immigració&lt;br /&gt;Originarte&lt;br /&gt;Convent de St. agustí-Districte Ciutat Vella&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2713483661916314524-5778891785026846021?l=nomadasxxi.blogspot.com'/&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://nomadasxxi.blogspot.com/feeds/5778891785026846021/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=2713483661916314524&amp;postID=5778891785026846021' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2713483661916314524/posts/default/5778891785026846021'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2713483661916314524/posts/default/5778891785026846021'/><link rel='alternate' type='text/html' href='http://nomadasxxi.blogspot.com/2008/03/nmadas-del-s-xxi.html' title='Nómadas del S. XXI'/><author><name>Plataforma Cultural AMA</name><uri>http://www.blogger.com/profile/08551444962305708692</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='03300321898249380342'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2713483661916314524.post-1632455267724179852</id><published>2008-03-13T16:29:00.000-07:00</published><updated>2008-12-08T19:31:40.229-08:00</updated><title type='text'>Postales Nómadas</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_mmMKk9E8FJg/R97k5q6EQHI/AAAAAAAAAIg/_v6CaLRIanI/s1600-h/postal_delphine.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5178828300944162930" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_mmMKk9E8FJg/R97k5q6EQHI/AAAAAAAAAIg/_v6CaLRIanI/s320/postal_delphine.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Con su personal iconografía, en Longus/Latus Delphine Delas hace una narración simbólica acerca de la mutación, la hibridación y los encuentros y desencuentros propios de los flujos humanos o el cambio social. &lt;a href="http://www.delphinedelas.com/"&gt;http://www.delphinedelas.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_mmMKk9E8FJg/R9m5O66EPyI/AAAAAAAAAFU/3Mrkr85Wvq4/s1600-h/idealwordorg+baja.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5177372912621207330" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_mmMKk9E8FJg/R9m5O66EPyI/AAAAAAAAAFU/3Mrkr85Wvq4/s400/idealwordorg+baja.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;En I Think we are being watched Idealword.org hace un comentario sobre el estado de vigilancia y control al que se somete nuestro cotidiano, reflejando cómo tecnología y relaciones se ponen al servicio de estructuras de poder.&lt;br /&gt;&lt;a href="http://www.idealword.org/"&gt;http://www.idealword.org/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_mmMKk9E8FJg/R9m5Pa6EPzI/AAAAAAAAAFc/4aNZ6Iael3Q/s1600-h/natalia+baja.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5177372921211141938" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_mmMKk9E8FJg/R9m5Pa6EPzI/AAAAAAAAAFc/4aNZ6Iael3Q/s400/natalia+baja.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Con su acento pop y lúdica apropiación, en Hacia nunca jamás Natalia Angel recontextualiza a Peter Pan, Wendy y los niños, para simbolizar la búsqueda de un porvenir o de espacios geográficos y sociales más próximos a la vida alegre.&lt;br /&gt;&lt;a href="http://www.nataliangel.com/"&gt;http://www.nataliangel.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_mmMKk9E8FJg/R9m7Tq6EP6I/AAAAAAAAAGU/-qYGeMtdyJw/s1600-h/nihal+baja.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5177375193248841634" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_mmMKk9E8FJg/R9m7Tq6EP6I/AAAAAAAAAGU/-qYGeMtdyJw/s400/nihal+baja.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Ponte en la piel del otro Nihal Mumcu funde al sí mismo y al otro, planteando inquietudes sobre identidad y anonimato, género, raza, u otros códigos que desde la corporeidad nos inscriben en el espectro de lo social.&lt;br /&gt;&lt;a href="http://www.nihalmumcu.com/"&gt;http://www.nihalmumcu.com/&lt;/a&gt; / &lt;a href="http://eseysiz.blogspot.com/"&gt;http://eseysiz.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_mmMKk9E8FJg/R9nApa6EQEI/AAAAAAAAAHk/pEK5RWRJ_-k/s1600-h/thomas+baja.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5177381064469135426" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_mmMKk9E8FJg/R9nApa6EQEI/AAAAAAAAAHk/pEK5RWRJ_-k/s400/thomas+baja.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;El poético registro del Rasgo de Thomas Engelbert nos habla acerca de la belleza de lo cotidiano, las relaciones humanas y la búsqueda de nuestro lugar entre las estructuras del mundo.&lt;br /&gt;&lt;a href="http://www.myspace.com/malincheproduction"&gt;www.myspace.com/malincheproduction&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_mmMKk9E8FJg/R9m7Ua6EP8I/AAAAAAAAAGk/1mKylKAUrz4/s1600-h/tom14%2Bzosen+baja.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5177375206133743554" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_mmMKk9E8FJg/R9m7Ua6EP8I/AAAAAAAAAGk/1mKylKAUrz4/s400/tom14%2Bzosen+baja.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;En Dead Cities Tom14 + Zosen hacen alusión al desgaste, la fiereza y la corrosión humana en las urbes, sugiriendo el estatismo de ciertos cánones a pesar de la movilidad geográfica de los individuos.&lt;br /&gt;&lt;a href="http://www.tom14.com/"&gt;http://www.tom14.com/&lt;/a&gt; / &lt;a href="http://www.tofulines.tk/"&gt;http://www.tofulines.tk/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_mmMKk9E8FJg/R9m9666EP_I/AAAAAAAAAG8/SHKmHis67lc/s1600-h/toni+tena+baja.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5177378066581962738" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_mmMKk9E8FJg/R9m9666EP_I/AAAAAAAAAG8/SHKmHis67lc/s400/toni+tena+baja.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Desde su ácido humor y con su estrategia visual de cartelería gráfica, en Bcn sucks Toni Tenak revisa críticamente las connotaciones de habitar en núcleos urbanos que, como Barcelona, son fuertes polos de atracción.&lt;br /&gt;&lt;a href="http://www.artechido.com/tena"&gt;www.artechido.com/tena&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_mmMKk9E8FJg/R9m97a6EQAI/AAAAAAAAAHE/bC3f6aCPaw8/s1600-h/victor+baja.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5177378075171897346" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_mmMKk9E8FJg/R9m97a6EQAI/AAAAAAAAAHE/bC3f6aCPaw8/s400/victor+baja.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;En Son of Sam Victor Castillo repasa, desde la imaginería simbólica, crónicas históricas como el imperialismo, las ansias de poder, el oscurantismo, la violencia y su gozo y los fantasmas sociales que les sirven de escenario.&lt;br /&gt;&lt;a href="http://victor-castillo.blogspot.com/"&gt;http://victor-castillo.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_mmMKk9E8FJg/R9m9766EQBI/AAAAAAAAAHM/2V86OVS4wec/s1600-h/xavi+baja.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5177378083761831954" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_mmMKk9E8FJg/R9m9766EQBI/AAAAAAAAAHM/2V86OVS4wec/s400/xavi+baja.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Con This server is too busy Xavi Muñoz hace alegoría, desde lenguajes inspirados en la era digital y con lúcido humor, a la incidencia que la tradición religiosa ha tenido en la construcción de nuestras sociedades.&lt;br /&gt;&lt;a href="http://xavimunoz.blogspot.com/"&gt;http://xavimunoz.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_mmMKk9E8FJg/R9nABK6EQCI/AAAAAAAAAHU/LmlCOc2vxds/s1600-h/benedicte+baja.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5177380372979400738" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_mmMKk9E8FJg/R9nABK6EQCI/AAAAAAAAAHU/LmlCOc2vxds/s400/benedicte+baja.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;Desde la desgarrada imagen de Lactancia, Benedicte Desrus nos habla de condiciones como lo alimentario, la maternidad, la lucha por el sustento, o las metáforas de Gaia y el desarrollo sostenible. &lt;a href="http://www.benedictedesrus.com/"&gt;http://www.benedictedesrus.com/&lt;/a&gt; &lt;a href="http://3.bp.blogspot.com/_mmMKk9E8FJg/R9m5j66EP5I/AAAAAAAAAGM/oXmC2GZMfjk/s1600-h/xavi+baja.jpg"&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_mmMKk9E8FJg/R9m5j66EP5I/AAAAAAAAAGM/oXmC2GZMfjk/s1600-h/xavi+baja.jpg"&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2713483661916314524-1632455267724179852?l=nomadasxxi.blogspot.com'/&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://nomadasxxi.blogspot.com/feeds/1632455267724179852/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=2713483661916314524&amp;postID=1632455267724179852' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2713483661916314524/posts/default/1632455267724179852'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2713483661916314524/posts/default/1632455267724179852'/><link rel='alternate' type='text/html' href='http://nomadasxxi.blogspot.com/2008/03/desde-la-desgarrada-imagen-de-lactancia.html' title='Postales Nómadas'/><author><name>Plataforma Cultural AMA</name><uri>http://www.blogger.com/profile/08551444962305708692</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='03300321898249380342'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_mmMKk9E8FJg/R97k5q6EQHI/AAAAAAAAAIg/_v6CaLRIanI/s72-c/postal_delphine.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry></feed>